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How Much Does A Red Camera Cost

Nigh filmmakers take heard Ruby-red digital movie house cameras, but there have been so many changes to their lineup over the years that keeping rail tin be a fleck daunting. This post volition brand things simple.

We'll explain the RED video camera lineup in layman's terms , and then provide a look dorsum at Ruddy cameras all and so that you tin can find the best Scarlet movie house camera for your filmmaking needs. Then nosotros'll show you custom RED cameras fabricated for Michael Bay and David Fincher.

  1. RED Komodo 6K S35
  2. Cherry Ranger
  3. Cerise DSMC2 Encephalon
  4. Ruby-red Monstro 8K VV
  5. Reddish Helium 8K
  6. RED Gemini 5K
  7. RED Dragon 5K

RED Digital Cinema

What you Demand to know about Reddish

Recently, RED camera did a big milkshake up with their cinema camera lineup. They have effectively broken their lineup into two categories: camera  bodies and camera sensors.

Outset, let'southward bank check out the camera bodies:

Cherry Tech Arsenal  •  RED Camera Systems

RED currently features three mainline camera bodies:

  1. Komodo – pocket-sized, fine-tuned for lightweight apply.
  2. DSMC2 – medium, fine-tuned for modularity.
  3. Ranger – large, fine-tuned for moving picture product.

Now, let's bank check out the photographic camera sensors:

RED Tech Armory  •  Crimson Camera Sensors

RED currently features four mainline sensors:

  1. Gemini 5K S35 – designed for low lite shooting weather.
  2. Komodo 6K S35 (stock-still sensor) – global shutter; image preview compatibility on Scarlet app.
  3. Helium 8K S35 – great for long-distance shoots.
  4. Monstro 8K VV – shallow depth of field, groundwork compression, lens compatibility.

It'due south worth noting that the Komodo 6K S35 is a fixed unit; then as to say that its body and sensor cannot be changed.

Cherry Digital Cinema DSMC2 Brain

Ruby Komodo 6K S35 — Camera Body & Brain

The RED Komodo 6K S35 is the newest RED camera trunk on the market. Peradventure it's silly to say the Komodo is the "cheapest" Crimson camera (it's nevertheless nearly $six,000), only it is… and it's not even shut. The Komodo is targeted at a new demographic of customers – those looking for a small form-factor cinema course photographic camera who also have a lot of coin.

RED Camera Komodo 6K S35

RED Camera Komodo 6K S35

The RED Komodo is somewhat of a response to the Arri Alexa Mini and other small-scale class gene cinema cameras. That being said, information technology is a lot cheaper than the Alexa Mini. I know, I know… "inexpensive" seems similar a misnomer. But remember, these are professional class cameras; so as to say they're always going to come with premium price tags. The question is: is the Red Komodo whatever proficient? Well, most working professionals seem to think so.

Let's heed to Tech enthusiast Marques Brownlee share his thoughts on the Komodo.

RED Camera Komodo 6K Impressions past Marques Brownlee

Equally Brownlee notes in his video, the Komodo has had a long route to a full-fledged release. That'southward considering RED tested the waters pretty early on on with the Komodo to gauge industry involvement.

RED DSMC2 SPECS

THE RED KOMODO CAMERA Brain

  • Crimson Camera Price: $5,995
  • Max Data Speed — 280 MB/s
  • R3D RAW, Apple ProRes
  • RF Mount
  • 2.10 lbs
  • Wireless Control
  • Cable-costless Peripherals
  • Integrated 2.9" 1440x1440 touchscreen LCD

As of May 2021, information technology seems that most of the kinks have been ironed out – but just keep in heed that the Komodo is still technically in beta.

RED Digital Cinema DSMC2 Encephalon

Ruby Ranger — Camera Trunk & Brain

The RED Ranger is the current-rex of RED camera bodies. It'southward big, bulky, and completely badass. Currently, the Ruby-red Ranger can be outfitted with iii camera sensors: the Monstro 8K VV, the Helium 8K S35, and the Gemini 5K S35.

RED Camera Ranger Body & Brain

Cherry Photographic camera Ranger Body & Encephalon

The Monstro is the biggest and baddest of the 3 variants clocking in at a cool price tag of $59,950. If you lot're anything like me, that ways you're probably not in the market to buy one, then if you want to vicariously live the high-life, bank check out the RED Ranger Monstro camera overview and build video from LensProToGo below.

RED Photographic camera Ranger Overview and Build by LensProToGo

They don't call the Monstro the Monstro for nothing. This is a big camera body and sensor. In fact, it's more than 3x the weight of the Komodo! Here are the full tech specs for the Monstro variant (total information on all the variants can be institute on the Blood-red website).

Crimson DSMC2 SPECS

THE RED RANGER CAMERA Brain

  • RED Photographic camera Price: $59,950
  • 17+ Stops Dynamic Range
  • Max Data Speed — 300 MB/south
  • R3D RAW, Apple ProRes, Avid
  • 7.3 lbs
  • Wireless Command
  • Integrated Dual Channel Stereo Microphones

The RED Ranger is the type of camera that'south almost solely reserved for big-budget films. Sadly, it's reach to the indie globe remains e'er-elusive.

Blood-red Digital Cinema DSMC2 Encephalon

RED DSMC2 — Camera Body & Brain

The RED DSMC2 is the Cherry photographic camera body and camera brain, which houses the image sensor and the advanced calculating components.

RED accept some specialized versions of this trunk/brain, including Michael Bay'south "Bayhem" Helium 8K. They too have the monochrome version, which allows yous to capture blackness & white footage with enhanced resolution and light sensitivity due to the omission of color data.

RED Movie Camera DSMC2 Body & Brain

Carmine Moving-picture show Camera DSMC2 Trunk & Encephalon

One affair Crimson wants y'all to keep in mind is that their DSMC2 Brain does non accept a DC IN power port. This means you'll be required to purchase a ability module or port expander to ability the camera.

To actually make the DSMC2 feasible, you'll need to at least buy an expander, bombardment, advisable lens mount, display that will permit you lot to come across your image, and media cards. Some of this may seem obvious, but each "accessory" can be as expensive every bit a mirrorless camera trunk.

RED Digital Cinema  •  RED Moving picture Photographic camera DSMC2 Footage by Ruby-red

The last deviation in the DSMC2 vs the old Red bodies is the selection to alter lens mountain. Y'all can own an EF mount for your camera, just and then when your nifty uncle hands downward that set of PL lenses, y'all'll exist able to purchase the PL lens mountain adapter rather than a new body.

The Reddish DSMC2 has some impressive specs which include:

RED DSMC2 SPECS

THE RED Camera Brain

  • RED Camera Price: $14,950; $24,500 for Monochrome Model
  • Max Information Speed — 300 MB/s
  • R3D RAW, Apple ProRes, Avid DNxHR/HD
  • Integrated Media Bay
  • Wireless Control
  • Cablevision-free Peripherals
  • Included OLPF (Upgrade Option)
  • Interchangeable Lens Mount

Ruddy has gone out of its way to create a new purchasing system that gives anybody the same jumping-off point but then allows you to select the camera sensor and add-ons that fit your specific needs.

Information technology's like to your favorite 'fast-coincidental' chain restaurant. Anybody gets the same bowl, and now it'due south time for you to choose your delicious fillings, like your sensor, but don't forget that "guac costs extra".

Let's look at the Cerise camera sensor options.

Red Digital Picture palace Monstro 8K

Scarlet Monstro 8K — Full Frame

The Ruby Monstro 8K VV (VistaVision) provides resolution that is 17x high definition (1080) and 4x the resolution of 4K video. Information technology can go as high as 60fps at 8K, but to shoot at higher frame rates you'll have to sacrifice some of that 8K, but yous still go 120fps at 4K and 240fps in 1080.

RED Movie Camera Monstro 8K VV Sensor

Reddish Moving-picture show Camera Monstro 8K VV Sensor

The Ruby Monstro 8K VV is the largest sensor Cerise has to offer and is ostensibly full-frame, which isn't traditional for a movie theater camera. The 8K resolution will allow you to move in, ingather, and focus on areas of your footage without loss of quality. It's cool, simply also creates huge file sizes.

Cherry-red MONSTRO VV 8K SPECS

RED's LARGEST SENSOR

  • Dynamic Range: 16.5+ stops
  • Effective Pixels: 8192 × 4320
  • Size: forty.96 mm x 21.60 mm (Diagonal: 46.31 mm)

Do you need the RED Mostro VV sensor?

If you're not planning to film the adjacent Planet Earth serial or the new Kingsman motion-picture show, you probably don't NEED this sensor. The cost tag is quite steep, and the huge file size that comes along with the resolution ways long edit times, tons of storage, and niche viability.

LensProToGo  •  Ruby-red Flick Camera Monstro 8K VV Footage

You may really want that full-frame 8K footage, and if information technology'due south that of import to yous every bit a filmmaker then you should totally get for the Reddish Monstro.

Blood-red Digital Movie theater Helium 8K

Ruby-red Helium 8K — Super 35

The Carmine Helium 8K can also get as high as 60fps at maximum resolution, simply this sensor size is closer to the traditional Super 35. The Helium sensor is pretty much the same as the Monstro VV, but smaller in physical size and has lost half a cease of dynamic range.

RED Movie Camera Helium 8K Sensor

RED Moving-picture show Camera Helium 8K Sensor

For that extra size and one-half stop of dynamic range you get from the Monstro, you'll have to pay more twice what the Helium costs.

Red HELIUM 8K SPECS

RED's SUPER 35 SENSOR

  • Dynamic Range: 16.5+ stops
  • Effective Pixels: 8192 × 4320
  • Size: 29.90 mm 10 15.77 mm (Diagonal: 33.fourscore mm)

Exercise you need the Scarlet Helium sensor?

If you take a quick turnaround for your videos, and will ultimately finish up lowering the resolution of your footage, yous probably don't need this sensor, even with all of the advantages of reframing in 8K.

Abandon Visuals  •  RED Cinema Camera Helium 8K Footage

These ii 8K sensor options for Ruby cameras will be both a headache and a boot to the wallet, so are there cheaper and manageable options?

RED Digital Movie theatre Gemini 5K

RED Gemini 5K — Super 35

The RED Gemini 5K has a few obvious differences from the Monstro and the Helium, most significantly the driblet downwards to 5K resolution. The Gemini has two shooting modes, 1 is standard fashion with a native ISO of 800, and the other is depression-light style with a native ISO of 3200.

RED Cinema Camera Gemini 5K Sensor

Cherry Cinema Camera Gemini 5K Sensor

Low-calorie-free is practiced for concerts, or documentary filmmaking, and produces less noise than the original RED Dragon camera sensor. The standard style is still platonic for digital picture palace and narrative filmmaking.

The RED Gemini gives y'all the same 4K resolution at 120fps as the Carmine Helium and Monstro, which means you can capture slow-motion video with the same quality without paying for the extra 3K resolution.

RED GEMINI 5K SPECS

Reddish's LOW Lite SENSOR

  • Dynamic Range: 16.five+ stops
  • Effective Pixels: 5120 × 3000
  • Size: thirty.72 mm x 18.0 mm (Diagonal: 35.61 mm)

Do you lot need the RED Gemini sensor?

If yous need a RED camera for a large diverseness of filmmaking jobs, I'd say the Gemini is your best bet. You non only get fantastic resolution forth with the depression light performance, merely you also save around $5,000 when laying up and going for the Gemini instead of the Helium.

Red Picture palace Camera Gemini 5K Sensor Review by Beyond the Specs

You tin take that $5,000 and invest in much-needed accessories for your camera considering they're probably more important than that extra resolution, and you'll ultimately save on lights and time as well. You'll get every across-the-board advancement Red has made to their new sensors, and you'll have hit that sweetness spot with your camera upkeep.

Cerise Digital Cinema Dragon-Ten 5K

RED Dragon-X 5K — Super 35

The RED Dragon-Ten 5K is the smallest of all the sensors in the lineup and while it still produces 5K video like the Gemini sensor, it loses some of the vertical picture space due to the smaller concrete sensor size. You can buy the RED Dragon-X 5K kit for about $22,000.

RED Cinema Camera Dragon-X 5K Sensor

RED Cinema Camera Dragon-Ten 5K Sensor

The other large difference is basically that RED added their IPP2 (image processing pipeline 2) organization to the old Dragon sensor, which ways y'all'll take greater control over your footage in post.

The RED Dragon-X 5K nonetheless allows you to film truthful 4K at 120fps, and still goes every bit high as 240 fps in full Hard disk, which is withal the quality at which most streamable content is provided due to the huge file size of 4K.

Ruby DRAGON-X 5K SPECS

Ruby-red'south RETIRED SENSOR

  • Dynamic Range: sixteen.v+ stops
  • Constructive Pixels: 5120 × 2700
  • Size: 25.six mm 10 13.5 mm (Diagonal: 28.9 mm)

Exercise you need the RED Dragon-Ten sensor?

Purchasing a photographic camera well-nigh always comes down to application, picture quality, fourth dimension until side by side upgrade, and the cost. What this basically means is that you demand to consider what yous will be recording on your camera, the picture quality you gain from it, how long until the camera becomes obsolete and needs to be upgraded, and how much the camera costs. It seems Carmine is retiring the Dragon from its main line of sensors – but it's still an option for resale.

Arturo Madrazo  •  Ruby Cinema Camera Dragon-X 5K Footage

If you're making narrative films, y'all probably won't need above 4K footage for at least three years, then spending extra money for 8K isn't really necessary, particularly if it'south the Monstro VV sensor.

If y'all're trying to decide between the Dragon-X and the Gemini, I'd probably advise you go alee and spend the extra $v,000 and get the Gemini, mainly because y'all'll accept greater capabilities and your camera will be able to be used on a greater number of projects.

Used RED Digital Movie house Cameras

RED product and term glossary

And so, now you know the new Cherry-red photographic camera lineup details and you lot're gear up to make a purchase or hire for your next project, only and so you lot see that the RED Raven is actually cheaper than the Dragon-X kit. Then you beginning to wonder about used Crimson cameras, or the RED Weapon 8K. What virtually the Red-W your picture show school buddy has, or the Blood-red Epic?

Suddenly, you start to wonder who would win in a fight betwixt a Dragon and an Epic but so you remember ane is a mythical creature and the other is only a cool name for a actually long poem.

How can you possibly know which RED photographic camera is the best? Furthermore, how can y'all know which is a camera vs a sensor vs an integrated kit? Let'south quickly define some RED camera terminology:

Cherry-red I

The RED One is a camera torso, encephalon, and sensor. It'south the unabridged camera system, and the showtime production camera introduced by RED in 2007. They later offered upgrades to a 14-megapixel sensor called the "M-10".

The RED 1 is said to take effectively the same quality equally 35mm moving-picture show, though virtually filmmakers looking for a "moving picture look" will prefer the paradigm received from an ARRI photographic camera like the Alexa.

Blood-red Epic

The RED Epic is a camera body/brain. It came afterward the Cerise One, and originally featured the M-X sensor, but and so offered the Dragon sensor, and you can now upgrade your Ballsy to the Helium and Gemini sensors. The Ballsy was the higher-end version of the first DSMC body/brain, and it has higher frame charge per unit adequacy when compared to the RED Red.

RED Red

The RED Reddish is a camera body/encephalon. Information technology was built to compete with cameras like the Canon C300 and had fewer capabilities than the Ruby-red Epic. In 2015, RED fabricated the Dragon 5K sensor bachelor for the Blood-red as well, but that was a "downgrade" from the RED 6K Dragon from 2013.

Dislocated yet?

RED Dragon Camera Sensor

The RED Dragon is a sensor. Originally it was 6K, but then Carmine took information technology all the way up to 8K, merely since and so decided to scale it dorsum down to 5K, but non before improving and rebranding the Dragon 8K into the Monstro. That sentence sounds atrocious, merely that's because information technology's an accurate layman summary of the RED Dragon photographic camera sensor history over the past decade.

RED Raven

The RED Raven is a discontinued camera kit that used the Raven encephalon (early DSMC2) and is the little brother of the Ruby-red Dragon-X. Information technology has the original Dragon sensor simply with iv.5K resolution, a fixed EF mount, and was the beginning of REDs move into the DSMC2 brain.

Ruby Weapon

The RED Weapon 8K/6K was the original branding proper noun of the new Cerise sensors paired with the DSMC2 brain. The RED Weapon term all the same exists, and yous can cameras for rent that say "weapon", but Ruby-red no longer sells the RED Weapons, they now only sell the DSMC2 body/brain with the Monstro and Helium 8K sensors, or Gemini and Dragon-X 5K sensors.

REDCINE Ten Pro

Once you lot've captured footage, you'll run it through REDCINE X Pro which is a gratuitous-of-accuse post-processing software built for Cherry-red camera systems. It has an integrated timeline, coloring toolset, and post effects software that allows for non-destructive manipulation of raw .R3D files.

Ruby-red ROCKET

RED decided to build an internal PCI Express card that, regardless of resolution, was designed to accelerate the processing of R3D workflow, and called it the RED Rocket. Look… I know what you're thinking.

Why would they name it "rocket"? It's times like these when yous realize RED is obsessed with repurposing whatsoever term or name with the word "Red" to somehow work with their camera lineup.

Soon filmmakers can make up one's mind if they want to utilise the grumpy but undecayed Cerise Play a joke on, and have their footage simulate the 1950'southward film-wait with a sepia tone integrated LUT known as the Crimson Scare.

Custom Ruby Digital Movie theater Cameras

Await at these nectar Cherry cameras

RED has a few filmmakers who love their cameras, so RED did a little marketing scheme where they made custom cameras for a few filmmakers but and then made them unavailable to the public. Very clever!

MICHAEL BAY'S CUSTOM Reddish CAMERA

This is the Ruddy Helium with a custom torso shape created specifically for Michael Bay and painted "Nike Light-green" per Bay'southward request.

Victoria's Undercover  •  Ruby Digital Camera Bayhem 8K Helium

Some might find information technology a scrap ostentatious, mayhap even a chip tasteless, but I happen to retrieve information technology's a pretty cool looking camera.

DAVID FINCHER'S CUSTOM Cerise CAMERA

This is the Cherry Xenomorph that features the 6K Dragon sensor – merely more than importantly, the camera body has everything fully integrated; including the wireless transmitter, on-board monitor, and wireless controls for the iris and focus rings and so you tin can just attach a lens and become shoot.

Mindhunter - RED Digital Camera Xenomorph 6K

Mindhunter  •  Ruby Digital Photographic camera Xenomorph 6K

Up NEXT

30 Best Cinematography Techniques & Tips Yous Didn't Acquire in Picture School

So now you know a petty more than about the RED digital movie house camera lineup, and yous're set up to hire the right photographic camera for your projection. Accept a wait at our post on Cinematography Techniques & Tips Yous Didn't Learn in Film Schoolhouse to go you lot even more than ready for your mean solar day on set.

Upwardly Side by side: Cinematography Techniques & Tips →

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Source: https://www.studiobinder.com/blog/red-digital-cinema-camera/

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